Revenue from subscription video on demand (SVOD) services now makes up 74% of the 1.1 billion euro video on demand (VOD) market in Germany, with the VOD market expected to more than double to 2.5 billion euros by 2023, a CAGR of some 14.5%. SVOD’s share is expected to rise to 80%, according to a new report.
Over the past four years, watching video on mobile devices has increased by nearly 210 hours annually while viewing on traditional TV sets has fallen by 130 hours, according to a new report. It’s a trend that’s accelerating and helps illustrate why more operators, broadcasters and content owners are ramping up their mobile video initiatives.
We may all believe that there’s no such thing as a free lunch, but consumers don’t appear to be quite willing to give up on the notion.
Broadpeak, a specialist in CDN technology, is partnering with VTVcab, the largest pay-TV operator in Vietnam, to power VTVcab’s OTT multiscreen services. VTVcab is delivering live, VOD, catch-up TV, and other advanced video services to subscribers across any screen.
A recent report from Nielsen suggests that nearly a quarter of pay-TV subscribers in Latin America could cut the cord.
The ratings agency said more than two-thirds of Latin American consumers currently use a VOD service, with about 23% using the services more than once a day.
Free and ad-supported services are predominant in the region, Nielsen said, with nearly 80% of consumers using freemium or AVOD services.
Consumer behavior has shifted significantly during the 2015 fall season, according to a new study, calling into question the validity and value of Live+7 ratings, and providing new insight into Fox’s just announced decision to abandon overnight ratings for its non-sports programming.
Revenues from the global video on demand market are expected to top $263 billion by 2016, a 27% increase over the $207 billion the industry generated in 2014, driven by rapid consumer adoption and expanding Internet penetration in emerging markets.
Asia’s top 68 pay-TV operators are forecast to see subscriptions increase to 535 million by 2020, an increase of 74% from 376 million in 2014, making up 83% of the regions pay-TV market.
More than 60% of Dutch TV viewers’ time consuming video is spent on forms other than linear TV, new research shows.
Australian digital movie and TV site EzyFlix has called it quits, the first casualty (and likely not the last) in the Down Under digital video marketplace.
Fingers immediately pointed at Netflix, the big, bad subscription video on demand service from the United States, as the cause of its demise. Maybe, but that’s a little too convenient… and easy.
EzyFlix Tuesday posted this message to consumers on its website:
Two major theater chains – AMC and Canada’s Cineplex – have agreed to a two-week release window on a pair of upcoming Paramount Pictures films, putting a major crack in the standard 90-day theatrical window. A pair of small-budget films from the studio will be available to consumers 17 days after they finish their theatrical run.